![]() Best of all, you only need three basic tools: a soldering iron, needle nose pliers, and wire strippers the second two might even be found in your tool box already. Either way, the instructions are clear and easy to follow, providing enough information for a beginner to build a great device. For those who would prefer to build their re-amping box “by the books,” DIYRE provides an assembly guide here. In a 7-minute YouTube video, DIYRE provides a step-by-step tutorial on assembling the unit, and assuming you have some basic soldering knowledge, it shouldn’t take you much longer than that to do it yourself. The build process is simple and fast, and the end product could go head-to-head with other major re-amping boxes (that easily cost twice as much) and come out on top.ĭIYRE makes the build process streamlined by providing everything needed from the wires to the PCB to the aluminum housing. Best of all, you get a great unit for basically the cost of materials by purchasing the Do-It-Yourself Recording Equipment (DIYRE) L2A (Line2Amp) kit. Re-amplifier boxes offers an easy solution for converting your recorded DI track to a signal your amps can handle. Now that you understand the basics, go forth and surprise yourselves! Reamping has so many applications, we bet you come up with something we haven’t even thought of.Re-amping is an essential service that tracking studios should be able to offer as their amplifier collection grows. But at least you can worry about crafting that perfect setting later and just start recording. Here too, the original audio is still necessary for the player to hear themselves, for the band and engineer to monitor, and to have a rough mix from the start. ![]() In the case of a MIDI-equipped synth or digital piano, recording both the audio and the MIDI outs reserves the option to make subtle tweaks, select an entirely new patch, or even swap the synthesizer. In a way, reamping is for guitar what recording MIDI is for keyboard. Between either extreme you also have the hybrid option of applying digital processing to the recorded signal before or after analog reamping. It removes the need for a room with nice acoustics, a reamp box, or indeed a good amp and stomp boxes. Taking this one step further, the clean signal can also be processed by software or hardware emulations, which are often very close to the real thing and in some contexts will work even better. Here again, the processed sound can be recorded too for convenience and efficiency, but having the clean sound allows for reamping with the perfect signal chain and settings at a later point in time. Bedroom guitarists plugging directly into an interface with built-in hardware processing can hear themselves with amp and stomp box on the monitor path, while recording the clean signal. The same reamping rules apply to digital emulations of amps and stomp boxes. This would not be the case when just recording the signal directly without real amplification. While this means you cannot adjust these effects post-performance, it would be a shame to lose for instance the movements of a wah or volume pedal, which are an integral part of the performance.įinally, as the feedback of an overdriven amplifier close to the electric guitar makes the notes sustain, you will still have those preserved notes in the clean recording. You can put some pedals before the DI box, too. It also allows you to play back a more realistic sounding track immediately after recording. You might as well put a mic in front and record this, too! Even if you don’t end up using this sound, it will give those in the control room (or playing along on headphones) a much better impression of what the music will eventually be. While recording, the signal also still goes to the amp and effects unaltered, so that the player and band hears the sound they’re used to. For stomp box processing only, you would record the processed sound via DI again. In case you are recording an amplifier, you will need a microphone input to capture the sound. Simply using a line output would not work as this does not have the impedance and level required by an amplifier input. For the actual reamping, you need a dedicated reamping box or a reamp output as you might find on for instance the Zen Tour or Discrete 8 Pro interfaces. You put an active DI box after the guitar, which lets the signal pass through unchanged, but also splits off a version that you can route to your interface.
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